In the comment section of my post “How ‘forgotten’ was Bach?”, reader Cleverson wrote:
Speaking of Bach, you could also write something against a myth that exists among some music teachers, at least here in Brazil, who say that “Bach hated pianos.” They use such a lie to discourage students from making use of specific features of the piano as an instrument when playing Baroque repertoire.
Cleverson also mentioned coming across the explanation that Bach played an early piano and didn’t like that particular model, but when he came across an improved version later, he liked what he heard.
This “Bach hated pianos” idea intrigues me, mostly because of how Cleverson says it’s used to dictate performance practice. I’ll share my thoughts on that in a bit, but first I have to take care of the myth itself: Did Bach hate pianos?