Problems with “Evolution” Narratives

A side note before I get into this post: I’ve recently received some unfortunate medical news that will probably affect my ability to update this blog. In a previous post, I’ve mentioned that I have cancer. A few weeks ago, we learned that it has spread to my brain, and that I’ll be undergoing full brain radiation (starting this afternoon!), which will affect my short-term memory and ability to concentrate. In the future, I hope to work on writing with the extra mental challenges, but in the meantime, even just finding out about the cancer spreading has made it difficult to focus.

…Which is why I haven’t updated for a while, despite there being plenty of musical misconceptions to clear up. I’ve actually had two potential posts on my agenda for over a week: a take-down of a “new” (actually just recirculating) theory about Beethoven’s infamous Immortal Beloved, and a Twitter conversation I had last week about whether classical music can be considered political (my stance: Of course it’s political!). I’m still planning to post about those, as I think they’re both interesting and important. But what ultimately motivated me to update the blog today was a cartoon:

“The Evolution of Classical Composition” is as adorable as it is problematic!
Note: The panels read down first, then right. Click link for larger version.
Source: http://classic-jenny.tumblr.com

Is this the ugliest piece ever written?

"Most musicologists would argue that..." is a Bat Signal for this blog. Okay, so it did take UCLA musicologist Robert Fink to bring this to my attention (thank you!), but I'm setting up a Google alert for variants of this phrase, since I doubt there are many things most musicologists agree on, and the things on which we do agree are probably so mundane that they don't merit comment.

So, what would most musicologists supposedly argue? According to mathematician Scott Rickard in a TEDx Talk from 2011,

Most musicologists would argue that repetition is a key aspect of beauty. The idea that we take a musical idea, we repeat it, we set up the expectation for repetition and then we either realize it or break the repetition. If repetition and patterns are key to beauty, then what would the absence of patterns sound like—if we wrote a piece of music with no repetition in it?

Rickard claims that it would be the least beautiful, therefore The Ugliest Piece of Music. Tim Edwards of Classic FM ran with that idea when he reported on Rickard's talk in an article titled, "This is the most monumentally ugly piece of music ever composed, according to science."

Yes, this is another blog post about "science" and music, and once again it involves Classic FM. In my previous post, I looked at the ways in which Classic FM reports on scientific studies involving classical music in order to confirm their readers' cultural biases. This article reveals a different problem involving music in science: when the scientist (or mathematician) misrepresents musicology (or music theory).